measuring time

I’ve been measuring time in flowers. Watching spring unfold petal by petal. Open. Warm. (Sometimes.)

After the dormancy of a long, difficult winter, the beauty is there for the noticing in real time. The first unfurl of a leaf, a sudden bright shock of forsythia by the side of a salty, winter sand-covered road, and just now the peonies by the front porch, plump and ready to burst.

Life cycles, of course. Even within a season. Memories attach to events and flowers mark places along a continuum. I wonder if I’ll ever again see an early crocus in bloom without remembering a friend, lost too soon this spring. Or breathe another lilac perfumed breeze without remembering Mother’s Day. In the spaces between, I’m mentally tracking time in tulips and daffodils, following spring’s slow but steady march until summer comes.

Hope follows despair as bloom follows an empty landscape.

Summer’s about ready to take her turn, and just today I discovered wild daisies! Already. Almost before I was ready. The iris in front of that yellow house down the street is in bloom. Those iris always bloom the week before the last day of school. Another flower on the timeline and a consistency I can count on.

The point is, I suppose, is to know where you are at all times. More aware. More present. Equally intentional and spontaneous. There are flowers to count time by and tides rolling in on schedule. Places to go. Things to do. People to meet. I’m always optimistic at the crest of a new season. More ready to begin again, make good on promises to myself I may have broken in seasons past, itchy to explore all my life has to offer.

Lots to do … before the sunflowers rise.

wabi-sabi

Each spring flower lives a temporary, but individually beautiful life. Asian bleeding hearts placed on my mantle lost their vibrant pink days ago, melting into purple, now white.

But are faded petals any less graceful, less photogenic than those in first, full bloom?

Or more so?

Like finally placing a face with a name, today I linked my photography aesthetic with a centuries old art form.

Wabi-sabi originated as a concept and visually appealing ideal from a 16th century Japanese tea master, Sen Rikyu, who revised the Japanese tea ceremony to a new simplicity. In every detail of the ceremony from tea house to tea garden, he honored the pure, the plain, the imperfect, and impermanent.

According to Encyclopedia Britannica, wabi is defined as deliberate simplicity in daily living and sabi is an appreciation for the old and faded. Another definition explains wabi-sabi as finding the beauty in imperfection.

For me: it’s inspiration.